The opening was futuristic with eight Gen Next designers at their visual best. The most packed and awaited show for Indian Fashion industry making Lakmé Fashion Week the platform for the New Innovative creativistas.
Farah Sanjana collection Collars Galore had collars in blends of origami, metal work and architectural shapes. The white multiple collar jacket with rubber box pleated pants and the waistcoat with cascading collars and rubber collar pearl drop were highlights of the showing where collars emerged from the neck, shoulders and even down the front of the garments.
Mohammed Javed Khan ‘s Ex-pression-ist was Avante Garde! Pushing the envelope on the aesthetic he expressed his unconventional creativity with kurtas teamed with loose pants, quilted jackets, military shirts and waistcoats with ombre touches for the contemporary man.
Shashank Raja and Prajwal Badwe’s collection was a Harlequin romance a blend of Elizabethan era and Indian Royalty. The show opened with high waist trousers teamed with an organza blouse moving on to reveal a charming bubble skirt dress, lace shift, velvet appliquéd blouse with extended shoulders and an ivory gown. The crinoline net dress with lace bodice and the printed velvet long coat teamed with an asymmetric top were stunning entries in addition to the orange plastic cutwork piece that appeared as an accessory or collar.
Siddarth Arya’s Steam Punk was inspired by the punk movement of the 1980s. A garage punk embroidered corset was teamed with a bolero that had armadillo reptilian shoulders and rag doll micro mini. Taffeta came alive for a layered skirt worn with a grunge embroidered coat while a leather appliqué dress teamed with a sequined cape and cutout leggings rocked the ramp. Giving the contemporary Indian something to think about, Arya teamed a grunge sari drape with roller blade denims that earned him a round of applause.
Teresa and Roger ‘s collection Retarded Velvet had a relaxed unstructured look bringing out the Ghanaian Batik. Native American fabrics and South Indian cotton with Tencel and Lyocell, the palette created contrast through color blocking. Minis with suede fringes, wrap blouses, Ghanaian print stove pipe pants, dhoti style silk shorts, the candy colored batik relaxed fit jeans with pleated side seams were some of the highlights of the showing.
Urmi Ghosh presented a collection inspired by the tragic love story of Pablo Picasso and Dora Maar. Titled “Maar and Moumoune”, the showing had a synthesis of layers and textures in addition to a multitude of silhouettes. Embroidery played a key role with cats, boots, tightrope walkers and birds-in-a-cage motifs on the garments, dresses, jumpsuits.
Thinles Chosdup and Nirajana Adhya: The duo presented a collection inspired by the fabrics and costumes of Ladakh. The garments had colorful touches of the region with a contemporary twist. Asymmetric waistcoats, patchwork pants, skirt-front trousers, patchwork jackets and cable-stitch waistcoats: the look was pure mix and match. Grey jumpsuits with steel rivets and drop-crotch pants had a rustic charm while 3D shoulder pads were evocative of a strong military look.
Nikhil Thampi showed a collection that was packed with a mélange of deconstructed silhouettes. The white backless draped gown, the layered ombre net top and skirt and the ombre sari in grey, black and white teamed with a double leather belt were show stealers for women while menswear featured draped shirts and waist coats or single button jackets followed by long brown wool tunic! The highlight of the collection was the buckled leather straps that to fasten cholis, tunics and jackets or as an embellishment.
Indeed a great start for a week long celebrations called Fashion!

